Krzysztof Kieslowski’s version of the Ten Commandments is visually striking, brooding and partly teasing (based from the images shown in the first half). Due to lack of time, the second half wasn’t shown a few months ago. It looks promising as well but the following synopses (from imdb.com) indicates a few light touches:

Decalogue: Six (Thou Shalt Not Commit Adultery)

A shorter, scaled-down version of A SHORT FILM ABOUT LOVE, with a less complex plot and a different ending - though the basic narrative about the relationship between a lonely 19-year-old boy and the thirtysomething artist that he spies on every night is the same.

Decalogue: Seven (Thou Shalt Not Steal)

In this case, the “theft” is of a child by her real mother, who then finds herself emotionally unable to cope with the responsibility, while the stable and loving father that brought the child up is distraught.

Decalogue: Eight (Thou Shalt Not Bear False Witness)

A Polish-American researcher visits Warsaw and attends a lecture about ethics. Afterwards, she approaches Zofia, the lecturer, and says that she is the little Jewish girl whom Zofia refused to shelter during World War II. But Zofia has a very good reason for her apparent cowardice ...

Decalogue: Nine (Thou Shalt Not Covet Thy Neighbor’s Wife)

Roman, after discovering his impotence, urges his wife Hanka to take a lover. She reluctantly complies, and Roman, despite his earlier words, becomes obsessively jealous. Spying on her, he learns of her affair, and vows to kill himself - not knowing that Hanka was in fact breaking off the relationship ...

Decalogue: Ten (Thou Shalt Not Covet Thy Neighbor’s Goods)

Especially not when it leads to the conclusion of this black comedy about two brothers who inherit their